In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods
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Jharia, India, one of the most dangerous places on earth. Fires rage underground, smoke and dangerous fumes belch from cracks in the ground. This is the home of Anant, an 8 year old boy who scrapes a living picking coal and selling it at the local markets to try and feed himself and his sick mother. One day, a chance encounter changes Anant's life, forever. This is a coming of age drama that casts a spotlight on a humanitarian disaster area and gives us a chance to see the world through the eyes of one of India's many child labourers.
In a small town of 1960's India, where cinema is forbidden for women, a 14-year-old embarks on a quest to watch her first film.
It's an ordinary winter's day when disillusioned Police Inspector Azaad Singh is tasked with delivering a very important file to his superior. Traversing expanses of rural and urban Punjab along the way, he reckons with the state's past and present realities, and faces an untimely existential crisis as a result.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
Taran lives with her father in a small town on the cusp of industrialization. Taran has a strained relationship with her father, who is increasingly bitter as he is unable to find a suitable match for his daughter. The young woman finds solace in her interactions with an engineer.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
